[spcollig] spcollig Digest, Vol 16, Issue 1

Pamela S Hackbart-Dean phdean at lib.siu.edu
Wed Aug 15 12:15:46 CDT 2012


David

Do you have an average replacement cost for manuscript collections?


Pam Hackbart-Dean, CA
Director, Special Collections Research Center
Southern Illinois University Carbondale
PH: 618.453-1452   FAX: 618.453.3440



-----Original Message-----
From: spcollig-bounces at carli.illinois.edu [mailto:spcollig-bounces at carli.illinois.edu] On Behalf Of David Malone
Sent: Wednesday, August 15, 2012 12:15 PM
To: spcollig at carli.illinois.edu
Subject: Re: [spcollig] spcollig Digest, Vol 16, Issue 1

We have set an average replacement cost per volume in the Special Collections at $350. 

David B. Malone, MLIS, CA
Associate Professor 
Buswell Memorial Library, Wheaton College
501 College Ave.
Wheaton IL 60187-5593
630.752.5707  | 630.752.5987 FAX
david.malone at wheaton.edu  |  http://library.wheaton.edu



-----Original Message-----
From: spcollig-bounces at carli.illinois.edu [mailto:spcollig-bounces at carli.illinois.edu] On Behalf Of spcollig-request at carli.illinois.edu
Sent: Tuesday, August 14, 2012 10:59 AM
To: spcollig at carli.illinois.edu
Subject: spcollig Digest, Vol 16, Issue 1

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Today's Topics:

   1. Insurance value of collections (Melissa A Hubbard)
   2. identifying types of illustrations (Mary Z. Rose)
   3. Re: identifying types of illustrations (Jessica Grzegorski)
   4. Re: identifying types of illustrations (Sarah Horowitz)


----------------------------------------------------------------------

Message: 1
Date: Fri, 10 Aug 2012 10:05:38 -0500
From: "Melissa A Hubbard" <mhubbard at lib.siu.edu>
To: <spcollig at carli.illinois.edu>
Subject: [spcollig] Insurance value of collections
Message-ID:
	<797303B748C24D40ABDCCC6416E356A404FC0E43 at libsrvxch2.cd.ds.siu.edu>
Content-Type: text/plain; charset="us-ascii"

Hi all,

 

SIUC has recently reclassed rare books and manuscripts as "fine art"
rather than "library holdings" for insurance purposes. This seems to make sense, as our collections are unique and irreplaceable. As part of this process, our risk management folks would like us to provide an appraisal value of the collection. Obviously a full professional appraisal would require a huge commitment of financial reasons, so that's not a realistic option for us. We also don't have enough staff to conduct an internal appraisal of every item and collection. I wonder if any others have dealt with this issue. Have any of you determined a formula to estimate the value of collections without actually conducting an appraisal?

 

Thanks,

 

Melissa

 

 

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Melissa Hubbard

Rare Book Librarian, Assistant Professor

Special Collections Research Center

Morris Library, Mail Code 6632

Southern Illinois University Carbondale

Ph: 618-453-3269

mhubbard at lib.siu.edu

 

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Message: 2
Date: Fri, 10 Aug 2012 16:39:57 -0500
From: "Mary Z. Rose" <mrose at siue.edu>
To: <spcollig at carli.illinois.edu>
Subject: [spcollig] identifying types of illustrations
Message-ID: <00dc01cd7740$b011eef0$1035ccd0$@siue.edu>
Content-Type: text/plain; charset="us-ascii"

How can you tell if an illustration in a 19th century book (or any period
book) is a woodcut, wood engraving, steel engraving, lithograph, etc.? How can you identify the graphic process or technique?

Thanks,

Mary

 

 

Mary Rose

Assistant Professor, Catalog and Metadata Librarian

Southern Illinois University Edwardsville

618.650.5643

mrose at siue.edu

 

 

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Message: 3
Date: Tue, 14 Aug 2012 10:23:27 -0500
From: Jessica Grzegorski <grzegorskij at newberry.org>
To: spcollig at carli.illinois.edu
Subject: Re: [spcollig] identifying types of illustrations
Message-ID: <502A6D6F.6040501 at newberry.org>
Content-Type: text/plain; charset="iso-8859-1"; Format="flowed"

Dear Mary,

I have found that Bamber Gascoigne's /How to Identify Prints/ <http://www.thamesandhudson.com/9780500284803.html> is an invaluable resource for identifying printing processes from all time periods (although 19th century processes can be particularly difficult to identify).  It would also be worthwhile to invest in a loupe and a handheld 30x microscope with a light if you plan to identify book illustrations often.

Best,
Jessica

Mary Z. Rose wrote:
>
> How can you tell if an illustration in a 19th century book (or any 
> period book) is a woodcut, wood engraving, steel engraving, 
> lithograph, etc.? How can you identify the graphic process or technique?
>
> Thanks,
>
> Mary
>
> Mary Rose
>
> Assistant Professor, Catalog and Metadata Librarian
>
> Southern Illinois University Edwardsville
>
> 618.650.5643
>
> mrose at siue.edu
>
>
>
> _______________________________________________
> spcollig mailing list
> spcollig at carli.illinois.edu
> http://carli.illinois.edu/cgi-bin/mailman/listinfo/spcollig

-- 
Jessica Grzegorski
Cataloging Project Librarian
The Newberry Library
60 West Walton Street
Chicago, IL 60610
grzegorskij at newberry.org
312-255-3650
www.newberry.org

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Message: 4
Date: Tue, 14 Aug 2012 10:58:27 -0500
From: Sarah Horowitz <sarahhorowitz at augustana.edu>
To: spcollig at carli.illinois.edu
Subject: Re: [spcollig] identifying types of illustrations
Message-ID: <502A75A3.5070005 at augustana.edu>
Content-Type: text/plain; charset="iso-8859-1"; Format="flowed"

Dear Mary,

Gascoigne's book is a good resource; I also recommend the Graphics 
Atlas: http://www.graphicsatlas.org/, especially the comparative 
feature.  For a historical take on illustration in the 19th century, 
John Harthan's /History of the Illustrated Book /is excellent.  He is 
also better on dates than Gascoigne, which can be helpful in ruling out 
processes.  If you need more resources, I recommend the reading lists 
for the courses on illustration at Rare Book School have some good 
recommendations: http://www.rarebookschool.org/courses/.

Sarah

On 8/14/2012 10:23 AM, Jessica Grzegorski wrote:
> Dear Mary,
>
> I have found that Bamber Gascoigne's /How to Identify Prints/ 
> <http://www.thamesandhudson.com/9780500284803.html> is an invaluable 
> resource for identifying printing processes from all time periods 
> (although 19th century processes can be particularly difficult to 
> identify).  It would also be worthwhile to invest in a loupe and a 
> handheld 30x microscope with a light if you plan to identify book 
> illustrations often.
>
> Best,
> Jessica
>
> Mary Z. Rose wrote:
>>
>> How can you tell if an illustration in a 19th century book (or any 
>> period book) is a woodcut, wood engraving, steel engraving, 
>> lithograph, etc.? How can you identify the graphic process or technique?
>>
>> Thanks,
>>
>> Mary
>>
>> Mary Rose
>>
>> Assistant Professor, Catalog and Metadata Librarian
>>
>> Southern Illinois University Edwardsville
>>
>> 618.650.5643
>>
>> mrose at siue.edu
>>
>>
>>
>> _______________________________________________
>> spcollig mailing list
>> spcollig at carli.illinois.edu
>> http://carli.illinois.edu/cgi-bin/mailman/listinfo/spcollig
>
> -- 
> Jessica Grzegorski
> Cataloging Project Librarian
> The Newberry Library
> 60 West Walton Street
> Chicago, IL 60610
> grzegorskij at newberry.org
> 312-255-3650
> www.newberry.org
>
>
> _______________________________________________
> spcollig mailing list
> spcollig at carli.illinois.edu
> http://carli.illinois.edu/cgi-bin/mailman/listinfo/spcollig

-- 
Sarah Horowitz
Special Collections Librarian
Thomas Tredway Library
Augustana College
Rock Island, IL 61201
(309) 794-8814
sarahhorowitz at augustana.edu

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